Friday, November 13, 2020

Gaslighting

Allie Lang, a single mother, lives contract to contract in her work as a celebrity ghostwriter. After her last project was scrapped due to the #metoo proclivities of its subject, she’s excited for her next assignment: a book on motherhood by emerging feminist icon Lana Breban. So begins Impersonation by Heidi Pitlor.

As the weeks pass, Lana refuses to share any personal memories of raising her son Norton.  So Allie begins drawing from her own experiences with breastfeeding, toddler tantrums, and thwarting gender stereotypes to pad the narrative. Lana is thrilled with these stories even as she continues to brush off Allie’s inquiries into her own mothering style.

While Lana has the luxury of stretching out the project, Allie struggles to make her rent, pay for a broken filling without insurance, and find a reliable babysitter she can afford.  Even though she signed a confidentiality agreement, Allie tells her mother about her latest project. Her mother, in turn, brags to a friend who ends up tweeting out her identity after the book is published.

Although she feels betrayed by Lana’s response to the brouhaha that ensues, Allie learns she must fight for the right to tell her own story. Not anyone else’s.

Fans of Pitlor’s The Daylight Marriage will relish the way similar themes of parenthood and codependency play out in a much happier ending.  

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