The scope of this novel is deceiving. Perhaps because Irish immigration is so enmeshed with potato famines, I kept having to remind myself the story begins in the 1960s rather than the 1860s. But reading of a childhood sans electricity and indoor plumbing and the flight from Ireland not on a plane but on a ship, does put one in the mindset of Tammany Hall rather than Tammy Wynette.
The title refers to Ireland’s traveling people who wander from camp to camp doing odd jobs and begging to earn money. Michael Ward grows up in a traveling family, sleeps under the stars, but longs for a permanent roof. After running away from home, he finds shelter with the Cahill family and eventually accompanies the two Cahill sisters, Greta and Johanna, to New York.
Crossing the Atlantic, Michael and Johanna have a Titanic moment. Michael finds work in building maintenance, Greta goes to work for a department store, and Johanna abandons newborn Julia to seek her fortunes in California.
We catch up with Greta’s family in the late 70s. Rather than sparking a reunion, the death of her mother a few weeks after her daughter’s birth severs all ties to her family. Skipping ahead to the 80s, we find the family has managed to save enough to buy a house in suburbia. In the course of the move, Julia finds a tin of old letters that raises questions about why she’s never met her mother’s family.
In the novel’s final section, we delve into the preparations for Michael’s retirement party. Greta soon learns, however, that her kids have prepared a surprise for her as well. The surprise, it turns out for the reader, is just one of the many reasons that makes this novel so – as the Irish say - dear.
Wednesday, October 21, 2009
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