Not since reading the Flavia de Luce mysteries, have I been
so intrigued by the amateur sleuths that crop up in Emily Arsenault's books.
In What Strange
Creatures, Theresa Battle writes copy for a candle company catalog by day
and procrastinates writing her dissertation by night. When her brother is
arrested for the murder of his girlfriend, she tries to prove his innocence. By seeking out the girlfriend’s current and
former acquaintances she often draws inspiration from her dissertation subject,
Margery Kempe. Weaving Kempe’s story with Theresa’s, Arsenault ventures to ask us
to examine our own vocations.
Miss Me When I’m Gone
centers around Gretchen Waters, the author of Tammyland, a memoir of the author’s love of female country music
stars. When Gretchen turns up dead after a reading, everyone is shocked, including Jamie, her best friend from
college. Gretchen’s mother asks Jamie to be her literary executor and turns
over the journals, files, and notes Gretchen was working from for her second
book. Originally intended to be a book about the men of country music, Jamie
discovers that this second book is actually Gretchen’s attempt to find out more
about the identity of her father. As Jamie pieces together the notes left
behind, she travels into Gretchen’s past and finds out more than the murderer
bargained for.
The Broken Teaglass
follows two young dictionary editors as they start finding random citations
from a mysteriously quirky story called The Broken Teaglass. As the excerpts turn up out of order, they intriguingly
reveal a corpse, a guilty conscience, and a love affair all set in the very
dictionary offices from which they are working. What could be better than a
novel that combines unrequited love, murder, and words? Arsenault builds up the
suspense with each excerpt, and helpfully puts them all in order in the later
chapters revealing that context matters.
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