Friday, September 9, 2016

Smart, Modern Women

Not since reading the Flavia de Luce mysteries, have I been so intrigued by the amateur sleuths that crop up in Emily Arsenault's books.

In What Strange Creatures, Theresa Battle writes copy for a candle company catalog by day and procrastinates writing her dissertation by night. When her brother is arrested for the murder of his girlfriend, she tries to prove his innocence.  By seeking out the girlfriend’s current and former acquaintances she often draws inspiration from her dissertation subject, Margery Kempe. Weaving Kempe’s story with Theresa’s, Arsenault ventures to ask us to examine our own vocations.

Miss Me When I’m Gone centers around Gretchen Waters, the author of Tammyland, a memoir of the author’s love of female country music stars. When Gretchen turns up dead after a reading, everyone is shocked, including Jamie, her best friend from college. Gretchen’s mother asks Jamie to be her literary executor and turns over the journals, files, and notes Gretchen was working from for her second book. Originally intended to be a book about the men of country music, Jamie discovers that this second book is actually Gretchen’s attempt to find out more about the identity of her father. As Jamie pieces together the notes left behind, she travels into Gretchen’s past and finds out more than the murderer bargained for.


The Broken Teaglass follows two young dictionary editors as they start finding random citations from a  mysteriously quirky story called The Broken Teaglass.  As the excerpts turn up out of order, they intriguingly reveal a corpse, a guilty conscience, and a love affair all set in the very dictionary offices from which they are working. What could be better than a novel that combines unrequited love, murder, and words? Arsenault builds up the suspense with each excerpt, and helpfully puts them all in order in the later chapters revealing that context matters.


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